2020 Vision

by 11:36

20 Hopes for a new decade.

With the roaring twenties edging ever closer and a heap of talent coming to the fore in in 2019, Encore NI wanted to look forward to the new decade with open eyes and great expectations.Here we run through some of our brightest hopes for the year ahead (in no particular order!).

So whether you’ve a hot date with a midnight countdown in the city, or an even hotter date with Jools and the Big Band this New Year’s Eve, get these new sounds into your ears and get ready for the next wave...

PC / Audrey Gillespie


1.       Wynona Bleach 

It’s been a long old road for Belfast five-piece Wynona Bleach. Long enough, in fact, to include most of the Russian peninsula. After years of hard graft, marathon tours (including a Russian one), line-up tweaks and even a name change, the alt-rockers teamed up with acclaimed songwriter Bill Ryder-Jones in the producers chair earlier this year. They escaped to Portugal and began working on their debut record, due for release next year. The hype is real.



2.    Cherym 

Derry City’s conveyor belt of quality pop/punk bands has shown no sign of slowing down in recent years, with Oh Yeah Contender Award winners Cherym leading the charge. Following 2018’s ‘MouthBreatherz’ EP, the trio followed it up this year with ‘Super Queens’ and ‘Abigail’, two blistering singles adding fuel to the fire. 





3.                   Jordan Adetunji

He may not have won an award at the NI Music Prize, but as the first hip-hop nominee to ever make it onto the shortlist, the young rapper stole the show. With an ever-growing fan base split between Belfast and London, Adetunji’s electric stage craft and dynamism behind the mic will continue to break boundaries in 2020.




4.   Gin Palace

Selling out your first two headline shows off the back of one single could suggest Gin Palace jumped aboard some sort of hype train to early success, but these lads sound more like Van Morrison, than Van McCann. The young Belfast band’s blend of jazz, orchestral embellishment and vocals dripping in sincerity sets them firmly apart from the indie blueprint, but the quality of their tunes suggests there’s more to come next year. Winners of Translink Metro Sessions 2019.


PC / Ciara McMullan Photography


5.  Strange New Places

Last year proved monumental for queer-punk radicals Strange New Places. The ‘Uncomfortable’ EP marked them as a voice for those on the fringes of society, themes of isolation, fear and the ridiculousness of it all never far from the lyrics sheet. A triumphant performance at the NI Music Awards capped a brilliant year, with more sure to follow.




6. The Caged Hearts

Lead by troubadour frontman Eoin Agnew, The Caged Hearts are the emotionally charged heirs to Belfast's indie crown. Formed by Agnew with bassist Patrick Holmes after writing literally hundreds of tracks, The Caged Hearts take the emotional vulnerability of songwriters like Roddy Frame and blend it with the energetic charisma of  The Vaccines or Dublin's Inhaler. Never short on new material, this young band have the tunes, the desire and the heart to go as far as they want to in 2020.






7.    The Florentinas (Formerly Xiola Blue)

If you’d told The Florentinas last year that they were less than twelve months away from their Maida Vale debut, they might not have believed you. Not from any lack of belief, they just weren’t a band yet!

It’s been a dizzying year for the teenage Bangorians, who’ve saw their first demo (‘Plastic Love’) smash the 9,000 mark on Soundcloud and honed their live chops with a run of well received gigs in the Oh Yeah Music centre and beyond. Crucially, they seem to be enjoying the journey as much as we are watching it unfold. More please!





8.   Sister Ghost 

As Sister Ghost, Shannon O’Neill has been a guitar slinging punk voice for integrity for a while now. The band hit a new high this year, claiming ‘Best Live Act’ at the NI Music Prize and deservedly so. Starting life as ‘a stolen eight track from my brother’, the band, which now includes Maeve Mullholland, will embark on an Irish tour with Petrol Girls in January and are planning a debut record for later in the year. 



PC / Carrie Davenport Photography


9.   Joel Harkin

Ambient folk songwriter Joel Harkin has one of the most recognisable voices in the scene today, his dry wit and forlorn stage presence the perfect foil for his melancholy world. Taking influence from Bright Eyes, Jeff Buckley and crying your eyes out, a Joel Harkin show promises so much more than just beautiful tunes. He’ll probably tell you about his day and throw in a few stories too.



PC / AVCunningham Photography


10.      Sasha Samara 

On the opposite end of the folk-pop spectrum sits Sasha Samara, another Scratch My Progress graduate. Samara’s gut-wrenchingly honest portrayals of modern life and relationships have endeared her to a loyal audience, but it’s her unflinching positivity in the face of it all that makes her really stand out.




11.               Sad Tomorrow

Teenage four piece Sad Tomorrow have came through on a wave of excitement in 2019, helping to rejuvenate the North Coast scene with sweaty, packed out gigs again. Punk masterclass 'Reaction' was supposedly written during a jam in the music rooms at lunchtime, channeling heartbreak, confusion and youthful rage into a two minute pop song. Though for Sad Tomorrow, it's songs yet to be recorded like emo-banger 'The Stars Collide and There You Go'  and the monstrous sounding 'Sprint' that suggests they will continue evolving at a rapid pace.

Catch them if you can.





12.        Happy Out

Ask anyone involved with the Derry music scene who they’re excited about coming through and you’ll see Happy Out’s name again and again. Operating the old fashioned way, Happy Out have cultivated a following in the North through riotous gigging, often encouraging their friends on stage to dance, mosh and sing with them. Falling somewhere between American Football and Mom Jeans, Happy Out’s debut release ‘Is, Was, Wasn’t’ will drop January 17th.





13.              Alice LA

Pop songstress Alice LA has had a strong year, featuring on Stephen McCauley’s ‘Sounds New’ show on BBC 2, playing a host of shows across Ireland and dropping new single ‘Kiss To These Riffs’, a first taste of the upcoming ‘PROSCECCO’ EP.  Alice LA’s pop potential will be no secret for those who have seen her live, a number set to increase massively again next year.





14.              Leo Miyagee

Hip-hop artist Leo Miyagee is already on course to release his second record, but the 22-year-old rapper has grafted more than most to reach this point. Moving to Belfast from London as a very young teenager, Miyagee first took to the stage supporting local hero Jun Tzu after videos of him rapping went viral on Facebook. A swell of public support came through hours of busking, where Miyagee’s following grew. Now signed to Banjaxed Records, 2020 will be an important year for an artist coming of age.



PC / Betsy Bailie Photography


15.              FERALS

A band keeping the spirit of their North Coast forefathers such as 'And So I Watch You From Afar' alive, FERALS have put together a a string of beautiful singles this year, culminating in the debut EP 'Always Watching, Never Watched'. Now sponsored by the PRS Foundation's 'Open Fund' scheme, the band have already announced they have massive plans in the works. Don't miss them on tour next year.




16.              Vale

Like a bomb primed and ready to explode, Vale are a band of teenagers with the passion and tunes to have a storming 2020. Glistening indie-pop is at the top of their agenda, with nods to The Smiths, The Libertines and The View in their euphoric live shows. Frontman Luke Baxter is a star in waiting, commanding every sticky Belfast stage like he’s stepping out at Glastonbury.





17.              New Pagans

New Pagans have emerged from this year as one of the hottest new bands in the country, with the likes of Daniel P Carter and Phil Taggart at Radio 1, John Kennedy at Radio X and many more quick to play the beautiful ‘Charlie Has The Face of a Saint’. It was the riotous ‘It’s Darker’, however, which made people initially turn around and take notice. They make a tremendous noise.





18.       Gender Chores

Their debut EP ‘Womansplain’ was filled to the brim with punk energy, as three piece punk band Gender Chores tapped into the cultural zeitgeist of the moment. The modern world, paranoia and taking back control were all key themes across a record full of attitude, pulsating riffs and rage. It was a welcome noise this year and remains vital heading into a the new decade.





19.      Pascalwillnotsurvivethis 

Glistening, glacial pop from one of NI’s most prolific songwriters. Pascalwillnotsurvive this is the moniker of Danny McClelland, lead guitarist in Jealous of the Birds. His latest EP ‘Castaway’ was recorded while on tour across America, with just an Iphone and Jealous of the Bird’s bandmate Jamie Hewitt helping out on drums. It’s an outstanding record of emotional pop bangers, framed through McClelland’s typically melancholy eyes. 





20.              Blxxd

The alias of electronic producer Syeva Bondarenko, Blxxd delivered the goods on debut album ‘lxve’ this year and followed it with relentless touring across the capital. An array of synths, heavily distorted vocals and an incredible live band make seeing Blxxd live an immersive experience.  If you’re looking for reference points, Crystal Castles, MGMT and Arvo Party are good places to start.


interview | betsy bailie

by 16:33



The relationship between sound and picture is an interesting one, two creative practices at once different and the same. Photographs tell the story we don't have to speak, as easily and diversely interpreted as a song. It is on this side of the creative fence Betsy Bailie sits today, though you'd be wrong in thinking that's the only string to her ever lengthening bow.  

If you've ever had even the faintest interest in Northern Irish music, chances are you've saw an image curated by Betsy Bailie. A freelance broadcaster, photographer and graphic designer, Bailie has built a portpholio celebrated and shared by the likes of Anais Gallagher, the BBC and an array of bands from across Britain and Ireland. She even spent some time on the other side of the musical trench, taking on violin duties in a pop-band. Now based in Manchester, Bailie hosts her own student radio show whilst studying Graphic Design at The Manchester School of Art.

As one of the youngest and most respected creatives in Belfast, does Bailie ever reflect on just how she reached this point? Encore NI was excited to find out as we sat down to chat...

Get the cool shoeshine...Bailie on film


Hi Betsy! Thanks so much for taking the time to chat to us. How have you been?

I've been good! I'm home for the summer after a rather eventful first year of University so I'm just taking it easy and trying to get to as many gigs as possible.

What was your first memory related to music?

I was surrounded by music a LOT as a kid - it was literally my dad's job. I remember there being CDs sent to the house 24/7, demos from local bands. But mostly my first memory of music being a positive thing that's shared, was when we'd listen to CDs in the car on long car journeys. I have a really specific memory of me and my sisters all singing along to "you go get the cool shoeshine" from the Gorillaz song '19-2000' on a road trip while the sun was shining. It's just such a feel good song and I have such positive memories related to it. I feel like that band soundtracked my childhood. The animation aspect made them a fun band for kids and our parents were big fans of Damon Albarn so it became a band we listened to lots. 


Was there a moment growing up when you realised you wanted to pursue a creative career?


For me, growing up, there was no other option. I did well in academic subjects in school, but it was never something I considered a career in. I always knew I wanted to be an artist of some sort but I have no memory of a specific moment where I realised it was something I wanted to do. It was just always kind of there in the back of my mind. I would always say that I wanted to be an animator or fashion designer or something like that when people would ask. I guess because both my parents were creatives and my oldest sister ended up going into Costume Design. For me, the question was always "music or art?" and I feel like I've found a way to incorporate both into my work. 

Do you have a favourite music-related photograph? I love Nirvana’s famous Rolling Stone cover, (with Kurt Cobain wearing the ‘Corporate Magazines Still Suck’ tee) and Liam Gallagher, arms outstretched in font of a sea of people, at Main Road in the mid-90’s…
One of my favourite photographers ever is Kevin Cummins and I love all the photographs he took of Joy Division and The Smiths. But my favourite photograph has to be the famous Joy Division bridge photo in Hulme, Manchester. It was one of the photos that made me want to move there. There's something so bleak about the photo. It definitely helped establish Joy Division's aesthetic. It made me realise the power of a photograph; how it can literally shape a band's image. Kevin Cummins actually claims he "saved Joy Division from being Bon Jovi".


He incorporated cold, austere, post-punk Manchester. The band matching the city. The whole idea of Joy Division being a 'black and white' band. That photo always makes me realise the influence and power photographs can have on bands.

Cummins famous image later donned the cover of Joy Divisions posthumous 'Best Of...' album. 


There doesn’t seem to be a band in Northern Ireland who haven’t at least tried to work with you in recent years, how does it feel having built up that reputation?

I don't really view it that way, I guess it's all happened quite gradually. But it does feel pretty surreal. I never really viewed myself as a photographer who did commissioned shoots. It started off as a hobby, a way of me preserving memories, documenting my friends/the local scene. When people started asking me to do paid shoots I was 17/18 years old and never really realised or considered it a way to make money/a possible career choice. As for reputation, it feels nice to have something to my name, something to be known for - other than 'that 16 year old who goes to gigs'. It feels like I'm actually contributing to the local scene which feels pretty good. 

Do you have a favourite photography session, or individual shot of a band that you are most proud of?

I love shoots when the band have lots of ideas and want to go somewhere interesting. The first that comes to mind is my shoot last summer with Wynona Bleach. They were full of energy and ideas and we ended up spontaneously driving to the international airport to take some photos in the waiting area. It was a location I never considered for a photoshoot but ended up looking quite cool. Another example is a shoot I did with Ferals in Portrush. It was a sunny day and we went to Barry's and the beach and ate ice cream. It didn't feel like work. 

Wynona Bleach


How has the scene changed from when you first began working in it?

When I was really young and used to hear about local bands and gigs through my dad and sister, it seemed like bands had more fire, determination. To really 'make it' - to make it out of Belfast. I feel like that's what's missing these days. Some bands are just happy enough playing gigs in the same venues to the same audiences week after week. 

The scene has also changed in terms of photographers. Everyone's a photographer these days. It's become so much easier for people these days to take nice photos. It's killing photography as a career. Everyone's just doing it as a hobby. Sometimes that's hard. Who's going to pay me to shoot a gig when people will turn up with cameras anyway? It's one of the reasons I started shooting on analogue film cameras. Going back to basics, what true photography is really about. It's a style that you can't get from a phone camera or a cheap digital. It's time consuming and takes a real creative eye to get a good shot. 

You haven’t just been behind the lens, you’ve also been in bands and experienced that side of the coin. How do the two compare for you? Do you think the infrastructure is there for bands to survive?

I loved being able to experience playing gigs on stage, it's a feeling like no other seeing people watch you play music. But it definitely takes a certain type of person to have the confidence to do it. I was 17 years old when I was gigging and used to freak out just before we went on stage. I prefer being the observer, being behind the lens, helping and watching bands grow. The two definitely need each other. I wouldn't be where I am without the bands sharing my posts, and likewise. That's what makes music so great, there's so many other jobs surrounding it. So many jobs for people to do to all help out. Would Joy Division or New Order have been the same without the Kevin Cummins photographs or the iconic Peter Saville record sleeves? No. Artists help shape bands. And bands give artists jobs. The infrastructure definitely helps both parties to survive.
Find your purpose...Ferals in black and white

Let’s rewind things a little bit. As a very young teenager you started your journey through the Volume Control program in the Oh Yeah Centre in Belfast, running all ages gigs. Knowing what you know now, what advice would you give yourself if you could talk to that teenager?


Go to as many gigs as possible! Network, talk to people, make friends! I was a very shy and anxious teenager and missed out on some opportunities to connect with people similar to me. I also feel like I was in such a rush to get out of Belfast, experience the mainland. But I would tell myself to appreciate it more. Appreciate those times I played in a band, the times I watched bands grow, the times I had the chance to talk to some interesting people. 

You recently moved to Manchester to study Graphic Design and immediately worked your way into hosting your own radio show. How has that experience been for you?

It definitely has pushed me out of my comfort zone. But I think that's important for young people. There's nothing like moving away for Uni and throwing yourself into new things to really grow as a person. Sometimes Belfast can be a bit of a bubble and living in Manchester for almost a year has made me realise there's more out there. But it's also made me appreciate Belfast more. Appreciate the close-knit music scene and all my friends back home. It takes a while to settle and you really need to work to put your name out there in a new city. But it definitely is important to push yourself out of your comfort zone and have new experiences. I am thankful for Hive student radio society in Manchester for allowing me to explore an interest of mine. I think that's what University is all about - exploring all possible interests and networking. I'd encourage anyone to move away for Uni, or just join as many societies as possible. Join pole dancing!
Anything new that interests you. Life is too short.



It’s difficult to talk about the radio without mentioning your Dad, Stuart Bailie, who for years has been a driving force behind some of the UK’s most successful bands.  Has he been an inspiration for you?


Yeah, for sure. It's always a great comfort to me knowing that I have a role model figure in my family. Someone to look up to and ask for advice every now and then. He definitely inspires me to try and make a name for myself in the local scene, like he did. It's sometimes hard for me to realise just how much he's done and is still doing in Belfast, because to me he's just my dad; but every now and then I'll read something he's written or a photograph he's taken and be like "wow, I want to be that good". And I know I can because I have the Bailie blood! He never stops as well - once he's done something great, he's onto the next big thing. 

He has made me realise the commitment and work ethic you have to have as a creative freelancer. 
Adored...Stuart Bailie with Ian Brown of The Stone Roses


As your clientele and reputation continue to grow, your spare time seems to have vanished! Do you have a plan of what your next creative step is?

My main goal at the minute is to keep working hard at University and get my degree. I wanna build up my graphic design portfolio while I'm home for summer and just create as much as I can. I'm going to be the station manager for Hive Radio starting September too which is very exiting. Making contacts and connections in both Belfast and Manchester is a goal for me. I also have a dream of displaying my photography at some point. Either in a zine/publication or as an exhibition. But right now, I just want to continue doing what I'm doing.

Finally Betsy, you’ve saw the NI scene evolve rapidly over the last few years. Can you name a few newer acts you’re excited about, and a few more established acts you’ll always love?
There's a few young bands I've seen recently, for example Vale and Xiola Blue. They've excited me and I think they're the next generation of musicians coming up. Problem Patterns and Gender Chores are two very exciting bands at the minute. They've got the punk fire. I recently saw them live at the Problem Patterns EP launch in which they had a 'Prom' theme. They really make their live gigs an experience. I do have a few favourite more established acts though that I always love to see live. Jealous of the Birds, Brand New Friend, Joshua Burnside. Bands I have grown to love the past few years. I always try to catch them when they're gigging. 

Interview by Taylor Johnson
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