Name: The Sea, Close By
Genre: Alt-Rock
For Fans Of: Ben Kweller, The Boxer Rebellion, Charlie Simpson
Location: Ballymena
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The first track from Ballymena's finest alt-rock three -piece's debut album, 'The Modern Mercury' is a harmonious-acoustic song of real beauty.

Lyrically we see Greyson at his introspective best. Indeed, from the opening line there's a resonating quality long term fans will immediately gravitate towards;"and everything returns full circle", and so it proves, as 'The Modern Mercury', (in it's echo chamber simplicity), does feel like a homage of sorts to the bands long history. Running via the Paper Man days and Greyson's first band 'Vampires & Secrets', right into the present. Ironic of course, given Greyson himself doesn't even feature vocally once throughout the track, that instead being left to Bassist Kate Cannon's haunting and delicate vocals.

'The Modern Mercury' is The Sea, Close By at their best. Sparse and alluring, it's impossible to say if the rest of the brilliantly titled 'Duke' will be of a similar nature ~ though even if not, this song will remain a testament to the days of busking competitions, bongo drums and long Summer nights spent on acoustic guitars, dreaming of everything.


If 'Duke' can capitalise on the incredible amount of work they've put in thus far, The Sea, Close By may not have to dream for much longer.

Name: Pleasure Beach
Genre: Dream-Pop
For Fans Of: CHVRCHES, Arcade Fire, Echosmith
Location: Belfast
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Ah, Pleasure Beach. Every so often a band comes around almost fully formed; the look, the style, the sound. To paraphrase Thom Yorke, everything is quite literally in it's right place. With Belfast's newest synth-wave, come dream-pop band, we see a perfect example of that. Teeming with a positively free-state America feel, 'Pleasure Beach' have found a niche within a niche, their own brand of electronica a distinct and fresh approach from what we're used to.

Despite only releasing one single to date (and yet to make their live debut we might add), Pleasure Beach exude a beautiful confidence. Blossoming from a male//female vocal dynamic, debut release 'Go'  resonates like the alternative ending to Arcade Fire's indie classic 'Sprawl ii (Mountains Beyond Mountains)'. It sounds like the end of a Californian pier. Like halcyon days and un-brushed hair. If that makes sense.

As a debut, things couldn't really have gone much better here. Provided Pleasure Beach can follow this up with more original ideas, they could grow to be very, very good indeed.


Check out Pleasure Beach's debut single below⁞►

Name: Rat Boy
Genre: Grime~Punk//Hip-hop
For Fans Of: SLAVES, Mike Skinner, Jamie T
Location: Essex
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There's a sort of 'hip-hop' renaissance taking place across the UK at the minute. Whilst America has always seemed content with it's Kanye's and it's Biggie's, (big names with bigger attitudes), the British fast-talking enthusiasts of this world have always been a tad understated. Be it songs about life's perpetual pointlessness, political grievances or popping pills in a Birmingham nightclub (See "A Grand Don't Come For Free"), on this side of the pond we seem to think deeper and keep things much small scale. Even when tracing it back to Arctic Monkey's groundbreaking debut 'Whatever People...' (heavily influenced by UK garage//grime), it seems we'd rather sing along to the sound of a fight in a taxi rank, than rich blokes sipping champagne in a Jacuzzi. This, is where 19 year old Jordan Cardy comes in.

Fresh onto the grime scene, Essex born Cardy, known as 'Rat Boy', takes that authentic UK hip-hop sound and smothers it in optimism. Rat Boy's latest single, 'Sign On', is a crescendo of electric guitar, melody and a flow so uplifting it makes the dole queue seem almost attractive. Yet disguised within the happy-go lucky nature of Cardy's songwriting lies some pretty tragic truths that will no doubt strike a chord with more than one British teen.

A match made in heaven? Rat Boy & Morrissey

It's this happy//sad dynamic which is perhaps his greatest strength. There's a beautiful irony about sounding so triumphant in a shit situation.

Rather brilliantly, Rat Boy lists his only influence as Morrissey; perhaps our greatest maudlin songwriter ever. Knowing that Salford's most famous lad spent many a year signing on, how amazing a moment would it be to see him cover Rat Boy's ode to the economically challenged? Or better yet, a grime version of 'This Charming Man'...stranger things have happened!

Now signed to Parlophone Records, it may be a while yet before you see Rat Boy down your local benefits office. The future looks bright.

Encore NI would like to extend a massive congratulations to those cheeky otters Hot Cops, a band we have featured many times on the site, for their inclusion in this year's 'Radio 1's Big Weekend' Introducing line-up.

Making some of the most raucous, emotive indie in Britain today, Hot Cops success comes as no surprise. Both lyrically enchanting and sonically haunting in equal measure, they are a band to believe in and something very special indeed.

So bravo Hot Cops. Keep doing your thing and remember to invite us to your future vodka-filled swimming pool parties with Louis Walsh and the dragons from Dragon's Den*.


*Celebrity entourage may vary

Name: Silences
Genre: Alt-Indie
For Fans Of: The Thrills, Sigur Ros, Ciaran Lavery
Location: Armagh
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Silences just seem to get better and better. The brain child of songwriter-come-front man Conchúr White, each release seems to to shine a little more light on his sepia-toned band. 

'The Sea'  is a delightfully ambient affair, very much in the Sigur Ros mold, if a little more melodic. There's a gloriously affirming rise towards this tracks end which sets it up for stadium heights, even if Silences feel more like a sunshine-festival band. Built around a simplistic acoustic guitar line, Silences again display a truly wonderful appreciation for the little things. For a young band, they found their sound remarkably quickly, a tribute to White's vision. 

Lyrically we again see White at his love-lorn best, a tale of hope, mapped by the water's edge.

Ciaran Lavery & Ryan Vail
Genre: Sea~Folk
For Fans Of: Damien Rice, Keaten Henson, Tired Pony
Location: Belfast

Ciaran Lavery ~ Facebook//Twitter
Ryan Vail ~ Facebook//Twitter


A collision of worlds. The gentle, rousing voice of Ciaran Lavery, intertwined with the visceral soundscapes of electronic artist Ryan Vail. An intriguing collaboration, not by any means guaranteed success.

This is a record sounding every bit like it's surroundings. Recorded in the beautifully apt rain-drenched tides of Donegal, 'Sea Legs' takes it's listener on a wind swept journey, artfully crafted to a quiet timelessness. The skits which break up the record act like soliloquies, a reminder of where each track starts and duly remains. Subtly broken by low-fi rainfall and the rolling of waves, each and every track on this mini-album maps a new journey, an alternative ending. Yet there remains that North Coast feeling. This could not have been recorded anywhere else and will resonate with those by the sea.

Vocally, Lavery is at his absolute best, particularly on 'Nick Cave's Band'. Vail too, offers some fine backing; no easy feat alongside such a distinguished voice. The balance between this record's spoken word interludes and background noise blends harmoniously, with the acoustic guitar and piano flowing through it. If Damien Rice overindulged on his third major album release last year, Vail and Lavery have went the opposite direction, their minimalist approach evoking a similar ambiance to the near-flawless 'O'.

This is an album of real beauty. A warm release, filled with soulful, touching songs. The only slight disappointment is that Lavery & Vail remain so established in their respective fields. 

If 'Sea Legs' really is a one record project, then what an intensely beautiful legacy to leave.

We hope it's not.

Modern Life Is Rubbish wrote it's name into Northern Irish folklore on Friday night, or rather, Serotonin did. Left out of the venue due to difficulties, and facing a room full of their disappointed fans,  the band displayed the sort of steely grit and determination you'd like to think Terri Hooley would approve of. 

Setting up a make shift stage on the terrace of The Granary cafe next door, the band waited patiently as Sister Ghost and Hit The B Button shook The Pavilion to it's foundations inside, both bands creating mosh-pits along the way. As the buzz inside continued to grow, I took to the stage to remind the audience that something special was happening. That history was being made and health and safety regulations ignored. Upon moments of being asked, each person inside made their way to the street and what followed will live long in the memory of all those lucky enough to have seen it.

Storming through what was essentially a 'Greatest Hits' set, Serotonin's ramshackle set-up of acoustic guitars, bongo's, a banjo and the voices of their make-shift choir  filled the night air and got the people dancing. As their loyal fans grew louder, the carnival atmosphere continued spreading down the Ormeau Road. 

As social media began to catch up with what was happening, rumors soon escalated. "'UTV live' are on the way!" cried one passer by, whilst others said the same about the police. As more and more passers by gathered, the noise just got louder. Indeed, one guy ran on 'stage' and promptly whipped his shirt off, somehow capturing the spirit of the evening even further.

Already it's been deemed 'the gig of the year'. To us, it's not about that. It's about that moment, a small act of rebellion against a modern age more concerned about living by the rule book, than freedom of expression. 

It was special and such a pleasure to be a part of. 
Thank you for keeping it real.

Taylor Johnson
Modern life Is Rubbish